When the Legend Becomes Fact, Print the Legend
Posted in Marathons, Week in Review on June 2nd, 2011 by Dwight – Comments OffMay 23rd – May 29th
Old Joy, Wendy & Lucy, Meek’s Cutoff — A trio from Kelly Reichardt viewed back-to-back-to-back. I love the ease with which these three films saunter from beginning to end. In their quiteness, they become all about a feeling. Not only are the characters searching for something that eludes them, but we begin to feel their emptiness in our own souls. In Old Joy, Mark is reunited with his old friend Kurt. He is searching for his place between the domesticity of his homelife and the wilder day of the past that Kurt represents. In Wendy & Lucy, the search is both for a home and a dog. In Meek’s Cutoff, the settlers are searching for the unknown. Not a lot happens in any of these movies, but they still remain so powerful.
Bridesmaids — A damn good comedy from writers Kristen Wiig and Annie Mumulo, director Paul Feig, and producer Judd Apatow. It’s funny and it’s kind of sweet. It follows the Apatow bro-mance formula only replacing the dudes with chicks. But I think a little bit too much was made of it though. Of its portents. It’s certainly better than average. And of course it’s nice to see a comedy like this that almost exclusively features female actors. But this film isn’t a game changer. I don’t know if I buy the suggestion that Hollywood doesn’t want to make smart movies that feature women. I frankly don’t think Hollywood wants to make smart movies. It would be great if Hollywood would change, but I’m not going to hold my breath. At least in the independent world of film, there appears to be somewhat more balance and smarter movies.
The Man Who Shot Liberty Valance — The second installment of our Westerns Marathon. I REALLY liked this one. Some great lines of dialogue. Tom and Ransom seem to symbolize the changing face of Western movies and of society at large. They also seem to represent today’s political divisions. On one hand, you have Tom Doniphon who symbolizes the rugged gunslinger, the status guo, and the law & order conservative values. Then you have Ransom Stoddard who represents a change towards the educated, progressivism, and a new way of doing things. I’d imagine that one’s political views shape how you view both Doniphon and Studdard. Still we can all agree that Liberty Valance is clearly the enemy. And ultimately, the thing that stopped him was a bullet. A true masterpiece.
Piranha — A schlocky and fun comedy horror remake of the 1978 film. I would have liked to have experienced it in 3D. While I doubt there was much subtlety to the 3D effects (stuff just flying out at the viewer), I think it would have added to its enjoyable terribleness. It’s also one that would work great at the drive-in. Which is just another reminder that I need to hit the drive-in before they are no longer in existance.
