Poultrygeist: Night of the Chicken Dead – The only bad thing I have to say about this Lloyd Kaufman directed film is that I’m angry that I missed the deadCENTER screening. The experience of seeing this one with a crowd (and with the legendary Kaufman in attendance, no less) is the only thing that could’ve possibly made it more enjoyable. At least I did get to see him at one of the deadCENTER panels. Maybe I’ll run into him sometime in the future…

As Sarah suggested, this would make a great double feature with Richard Linklater’s take on Eric Schlosser’s Fast Food Nation. FFN is a great book and really important to me. While I do appreciate Linklater’s film version, Poultrygeist was a truly brilliant interpretation of Schlosser’s book. The Troma people do a remarkable job of living up to what truly is gory subject matter. And the movie just also happens to be fun as hell.

I particularly liked the two leads, Jason Yachanin and Kate Graham. They brought a goofy boy and girl-next-door feel to the film that looked all the better once they were covered in all manners of horrific ooze. They brought a charisma to the movie that I honestly wasn’t expecting. I enjoyed the musical numbers quite a bit and would have welcomed a little more development on that front. And, of course, the low-budget special effects were absolutely wonderful.

Although now I do feel a strong desire to incorporate a penis monster, some manner of dismemberment and/or a car flipping & exploding into all future home movies. Those Troma touches, whether they’re knowing gestures or money-savers, really make the movie.

And while Poultrygeist is offensive, it’s certainly not mean. The distinction is an important one to be made. It’s why “clean” comedy doesn’t ultimately work (at least with a sophisticated adult audience). You kind of have to be offensive. It’s also why political conservatives aren’t funny. They don’t know how to be offensive without being mean.

I loved this one so much that I had to watch the Director’s Commentary the next day. While the commentary was both hilarious and insightful (and, at time, wonderfully bitchy), the thing that struck me the most was learning that Lloyd Kaufman’s wife, Pat Swinney Kaufman, was the executive director of the New York State Governor’s Office for Motion Picture and Television Development. Wow. And besides the Troma gig, which he’s been at for 35 years, Lloyd also chairs IFTA (Independent Film and Television Alliance). They both obviously share a strong passion for this thing called film and they’re both very much doing something about it. They are truly an inspiration.

For more, check out recent podcast interviews with Lloyd Kaufman by Elvis Mitchell on The Treatment and Aaron Hillis at GreenCine Daily (which includes a shout-out to the deadCENTER gynos).

Colossus: The Forbin Project – Sentient computers are scary. Especially when said sentient computers join forces with Soviet sentient computers during the Cold War. They’re even scary when they promise to end all wars and ultimately save humanity.

This film, I think, has a lot to say about nationalism and the consequences of a globally connected world. Perhaps man is intent on destroying itself no matter the extent of technology. It seems to be our shared destiny.

Screenplay:  Laura Looks Up by Keri Schreiner, Los Angeles, CA
Narrative Feature: Weather Girl directed by Blayne Weaver, Los Angeles, CA
Documentary Feature: Official Rejection directed by Paul Osborne, Los Angeles, CA
Narrative Short: Gaining Ground directed by Marc Brummen, Germany
Documentary Short: Forced into ‘Comfort’, Fighting for Apology directed by Theo Lipfert, Bozeman, MT
Animation: I’m So Proud Of You directed by Don Herzfeld, Santa Barbara, CA
Student Film: Science Fair directed by Dean Fleischer-Camp, Brooklyn, NY
Oklahoma Feature: Barking Water directed by Sterlin Harjo, Tulsa, OK
Oklahoma Short: Starvation Doctrine directed by Zac Davis, OKC, OK
Grand Jury Narrative Feature: Yvette, directed by Rogelio Almeida, Duncan, OK
Grand Jury Narrative Documentary:  The Day After Peace directed by Jeremy Gilley, London, UK

Honorable Mention Awards (i.e. movies I really liked that didn’t take home awards) go to:

Sweethearts of the Prison Rodeo
The SPAM Job
Miracle Investigators
Whore
Money Please!
Hit Boys II Men
Bean

This was a really great festival. The best one yet. Great films and great fun. Great job Cacky, Melissa, Kim, and Ian!

Be sure and check out the deadCENTER recaps from Two-Headed Blog and SuburbanKitsch.

Saturday morning, we caught the Short Femmes program. It was a very strong block of films. Aside from Three, which just creeped me out, they were all quite good. Forced into ‘Comfort,’ Fighting for Apology, which won best Documentary Short, was eye-opening and moving. But my favorite of the group had to be Bean. I thought it was a very strong performance from Arron Fenton in the title role.

After that, we swung by Visual Image for the pre-Awards Cocktail Party. Or, the Don’t You Wish Your Office Looked Like This Instead of a Soviet Era Cubicle Farm Cocktail Party.

Then it was onto the Peace, Love and Wavy Gravy party for the Awards Ceremony and Saint Misbehavin’: The Wavy Gravy Movie. To be honest, I went into Saturday not knowing a thing about Wavy Gravy (aside from the fact that he makes a yummy ice cream flavor). Needless to say, the documentary about his very interesting life was enjoyable indeed.

Next there was some mingling at the Skirvin. Then blurry memories of a rooftop and a Bobo’s wing. Then a couple hours of sleep. Brunch. And The Best of Fest (where I was really happy to catch Science Fair as well as the final installment of the Hard Justice promos).

I cannot wait to get back to my normal routine. But, I miss you already deadCENTER. I caught the end of Bradley Beesley and Sarah Price’s Summercamp! on the Sundance Channel yesterday afternoon. The campers were getting ready to leave and everything was bittersweet. They had met great new people and had ridiculous amounts of fun. They didn’t want to leave. But they also just wanted to go home. Such is with deadCENTER. My summer camp.

The panel afterwards–The Life and Times of Independent Film–was just as entertaining and informative. The moderator was good, the questions from the audience were good, and the panelists were insightful. I could have sat in on panels all day…based on some of the content. Lloyd Kaufman with a microphone would have kept me entertained for some time. And there certainly could have been a panel based solely on the question of one audience member who questioned the male-centric aspect of filmmaking. Maybe next year…

Official Rejection Panel

After that, we stopped in at the Oklahoma Film and Music Office Reception for a drink (Stella, of course) and a bite to eat. The place was packed. It was nice to see all of the interaction…even if from a wallflower vantage point.

Oklahoma Music & Film Office Reception

Then, we stopped in for the Okie Shorts. We didn’t stay for the whole program, but we did manage to catch the two we had been anticipating–Safe and Hit Boys II Men. Both exceeded expectations. In all honesty, I really look forward to what all these guys do next. Good stuff. Right here in Oklahoma.

After sneaking a couple of beers in at the Red Piano, we headed over to Untitled [Artspace] for the Horror and Midnight shorts. I was a little  disappointed that the Frolic wasn’t a bit closer to Untitled, but I managed nevertheless. Plus, it gave us time to unapologetically get our pictures taken with the Alba shark and then check out some of the art inside.

The Horror Shorts were good, but I was REALLY impressed with the Midnight Shorts. For one, they replayed Miracle Investigators. I love that one. Misadventures of Moon Kitty pleasantly lived up to my expectations. It was like a tripping LOLcat or something. Weirdly nice. I also really, really liked Whore. Well acted, well written, and well shot. Very good. And Money Please! was funny but also surprisingly relevant.

Today, we’re going to try to at least catch the Short Femmes before settling in for some Peace, Love, and Wavy Gravy.

The rooftop party at the OKCMOA started the day off rather nicely. I love our Museum of Art…such a great place. I really need to get over there more often, especially for Cocktails on the Skyline.

Next it was off to Uptown United for Comedy Shorts and the Canadian zombie film Yesterday (paired with a hilarious drinking game). My favorites of the night were definitely The SPAM Job and Miracle Investigators. Finally, it was over to Nonna’s for a couple of cookies and a beer. Not a bad way to end the night.

As for today, it’s back to the museum for Official Rejection followed by The Life and Times of Independent Film panel (featuring Lloyd Kaufman). Later, it’s off to Kerr Auditorium for the Okie Shorts. I’m looking forward to Hit Boys II Men and Safe. Then, the night should end with some Friday Night Frolicking and the Horror and Midnight Shorts (always a festival favorite).

Check out the deadCenter Live Blog at their site or on my sidebar. Check back here and at Two-Headed Blog for additional coverage. Follow The Filmcake on Twitter.

Outdoor Screening on Film Row

Bradley Beesley’s The Sweethearts of the Prison Rodeo screened outside on Film Row to an ample audience. The film looked really good. The deadCENTER people did a great job presenting the film. Even from the back, the projection looked great for an outside screening (and the sound was terrific too). But Beesley deserves a bunch of credit for delivering a nicely shot documentary. Like in his previous films, Beesley wasn’t interested in lifting these people (in this case, female inmates of the OK Penitentiary) up as heroes or degrading them as villains. Instead, he presents them as unique, often complicated, individuals that just about everybody should be able to relate to. At the same time, he subtly asks us to reexamine our justice system and the war on drugs. Nice work, Beesley.

If you missed the screening last night, it will screen once more on Friday at 5:30pm at the Oklahoma City Museum of Art. Or check it out later when it heads to HBO.

Kick-Off Party on Film Row

But, alas, let us not forget about the parties. Lots of Stella Artois. Delicious cupcakes courtesy of Cuppies & Joe. Lots of filmmakers and fellow film fans. A beautiful thing indeed. And that was just the first party.

Cuppies!

The second party at Maker’s Cigar was more of the same. Talked some more with an interesting brother & sister duo we ran into at the first party. Puffed on a cigar. Sipped on a beer. I could seriously get used to this.

Amidst a haze of cigar smoke, we firmed up our plans for Day 2. While The Triangle of Death starts at 5pm and the Don’t HateShorts program starts at 5:30, it looks like for me Day 2 of deadCENTER is going to start with the Opening Night Party at the Oklahoma City Museum of Art.

And while I would like to see both Ecstasy of Gold and The Twenty, it looks like I’m gonna have to go with the Comedy Shorts program followed by Yesterday over at Uptown United. I hear Canadian zombies and alcohol make a wonderful combination. Ian, the Supreme Allied Overlord of Internet Promotion, thoroughly sold me on this one. 

After that, it’s on to The Purple Bar at Nonna’s for the Opening Night After Party to celebrate the end of another wonderful evening of awesome.

Check out the deadCenter Live Blog at their site or on my sidebar. Check back here and at Two-Headed Blog for additional coverage. Follow The Filmcake on Twitter.

But of course it wouldn’t be deadCENTER without the parties. The Kick-Off Party starts on Film Row at 7:30pm, followed by the screening of The Sweethearts of the Prison Rodeo at 9:00pm. Then Day 1 concludes with a Kick-Off After Party over at Maker’s in Bricktown beginning at 11:00pm.

The weather WILL cooperate. It must be so.

Check out the deadCenter Live Blog at their site or on my sidebar. Check back here and at Two-Headed Blog for additional coverage. Follow The Filmcake on Twitter.

The deadCENTER Film Festival is truly the highlight of my year. I eagerly anticipate it each time it rolls around (this will be my 6th to attend). I have a blast throughout the long weekend but verge on tears when it’s over. Actually when I think about it, deadCENTER surrounds me virtually every day of the year. My old deadCENTER t-shirts are more often than not my t-shirt of choice (the brown one from 2005 is my all-time favorite…holes and all). My employee ID card hangs from a Sundance Channel lanyard. And my gym bag is the canvas bag from last year’s festival.

Some new venues, some returning venues. All pretty much within walking distance (check out the full schedule and venues here). According to Steve Lackmeyer’s OKC Central blog, Chesapeake is going to provide enviro-friendly shuttles this year. Not sure how this is going to work, but this is an interesting and welcome addition.

Besides the tons of films, there are the always entertaining deadCENTER promos to look forward to. It looks like they’re going with a Sabotage-ish 70′s cop show thing this year:

Can’t wait to see the rest of them…although I don’t know if anything can top Estaban Don Von McDonaldson.

Throughout the festival, I’ll be blogging here at The Filmcake. In the coming days, I’ll try to preview some of the films I’m looking forward to catching. During the festival, I’ll throw in some recaps and reviews as time permits. You can also follow me on Twitter. And be sure to check out Sarah’s posts over at Two-Headed Blog.

Previous deadCENTER coverage: 2008 – My Take & Sarah’s Take, 2007, 2006, and 3 posts from 2005.

Moving forward, I’m going to try a couple of new things. First, I’m just going to try (force myself) to blog more regularly. A few times a week. Or daily, even. Second, I’m going to try and do a weekly recap of the movies I saw that previous week (Week in Review). So basically just a list of those movies with maybe a short 1 or 2 sentence thought about it. If that leads to some longer review or discussion, then all the better.

That being said, Sarah and I finally made it to Warren Theater. The weekend before last we went to see Forgetting Sarah Marshall. It was nice. The decor certainly let you know that it wasn’t your average multiplex. The tackiness worked. But, then I don’t go to a multiplex for the ambience, I go for the movie. Still, we need to see a movie from a balcony seat in one of their Grand Auditorium theaters to get the full experience.

Also, I purchased our tickets for deadCENTER yesteday. This year they’re offering discounts for students and for those who order early. So, we actually saved $35. I’m really excited. I’m sure when it rolls around I’ll be doing some cross-posting here and at 2HB.

So, the opening of this theater not a mile from my front door step got me wondering what other film opportunities are available in my area. Of course, there are the other traditional theaters. The multiplexes and dollar theaters. But, there is certainly more than that.

Noble Theater @ The Oklahoma City Museum of Art offers independent, foreign, and classical films. Noble Theater also acts as one of the host venues for the deadCENTER Film Festival which showcases independent films from Oklahoma and beyond (the 8th edition will take place this year June 11-15). Some of these same festival films can be seen throughout the year at shortsSUITE at the XO Lounge. Down at the University of Oklahoma, the OU Film & Video Studies program hosts a variety of screenings. While on the Norman Campus, you can also check out Fred Films at the Fred Jones Jr. Museum of Art where they currently have an ongoing program on the Three Cinemas of China. If OU is not your cup of tea, you can head over to OCU where the Oklahoma City University Film Institute holds the occasional screening or lecture. And, if you’re in the mood for something bigger, you can head over to the Dome Theater at the Science Museum Oklahoma. And, finally, if you just want to get out of the city, you can certainly head up to Circle Cinema in Tulsa for the latest documentary, independent, and foreign films.